Thom Dancer received his PhD from the University of Wisconsin in 2011. Before joining the faculty at the University of Toronto in 2015, he worked at Ohio University as an assistant professor of 20th century British literature from 2012-15. He loves introductory level literature courses on science fiction and literature, time travel narratives, and the novel. He also teaches contemporary British fiction and the introduction to British literature (second half) course. His graduate courses have focused on the novel, novel theory, realism, the anthropocene, and the history of literary criticism. He organizes the Contemporary Literature Research Group (CLRG) along with Avery Slater.

Thom's primary research field in 20th and 21st century fiction and the history of literary criticism and theory. In more general terms, he is interested in the novel (from the 18th century to present) and aesthetics (issues of value, judgement, and taste). He has recently written articles on Relatability in Kazuo Ishiguro's Never Let Me Go for Modern Fiction Studies. He contributed to the Cambridge Companion to Ian McEwan. With Chris Holmes (Ithaca), he has edited a special issue on "The Novel at its Limits" for the journal Critique.

His book, Critical Modesty in Contemporary Fiction (Oxford University Press, 2021) seeks to explain why a growing number of contemporary novelists have appeared to turn to small, incremental, partial, and minor solutions in the face of massive challenges posed by the Anthropocene. Instead of seeing this as a surrender or capitulation, this book argues that such an approach reflects a new critical temperament of modesty that seeks to locate the fight for freedom and human dignity within the limited and compromised conditions in which we find ourselves.